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Also, the killer's character is not developed enough, and so comes across as "cartoonishly" scary, lacking in realism. The visionary, opium-induced haze that enables him to keep pace with the killer was an interesting touch, but wasn't utilized to its full potential, in my opinion. This also serves to make his relationship with Heather Graham, as the female lead, seem slightly artificial.
As an opium addict, he seems content to waste away his life in an altered state, yet jumps into action without hesitation, and utterly dedicates himself to risk life and limb tracking down a vicious serial killer & sifting through the lies that keep him so elusive. Depp's Inspector Abberline is likable, though his behavior is inconsistent. The characters are played well, despite being mostly unremarkable to begin with. The faults, while noticeable, are not disqualifying. In fact, these little deviations in historical accuracy felt very creative, and mostly fit in with the ambiguous nature of one the most infamous unsolved mysteries. As the film is a work of historical fiction, it takes liberties in the portrayal of certain events/facts, but only for the purpose of increasing the dramatic potential of the plot. Racial tensions, corrupt officials, and secret societies complicate the picture, and the actors in their elaborate costumes capture the unrest perfectly. The women whore themselves out for an extra cent, while the men retain control through intimidation & violence. London is gray, rainy, & dark, and its desperate citizens reflect this foreboding setting well. There are many things that are done right in this movie, number one being the atmosphere. With that in mind, I decided to check it out. From Hell seemed like a natural extension of this character archetype, with a loosely-based historical inspiration, adding weight to the horrific scenarios that it depicts. Sleepy Hollow was a masterful re-envisioning of the classic story of Ichabod Crane, featuring a nice blend of mystery & horror. I'm pretty much a fan of Johnny Depp, as I usually appreciate his performance regardless of my ultimate opinion of the movie itself. Will they be able to survive the avenging force that has been sent after them from Hell? Whoever is responsible for the grisly acts is not going to give up his secret without a fight. But as he gets closer to the truth, Whitechapel becomes more and more dangerous for Abberline, Mary, and the other girls. Abberline becomes deeply involved with the case, which takes on personal meaning to him when he and Mary begin to fall in love.
Sinister even by Whitechapel standards, the murder grabs the attention of Inspector Fred Abberline, a brilliant yet troubled man whose police work is often aided by his psychic abilities. The kidnapping is soon followed by the gruesome murder of another woman, Polly, and it becomes apparent that they are being hunted down, one by one. Yet things somehow do when their friend Ann is kidnapped and they are drawn into a conspiracy with links higher up than they could possibly imagine. Harassed by gangs and forced to walk the streets for a living, Mary Kelly and her small group of companions trudge on through this daily misery, their only consolation being that things can't get any worse. It is 1888 in London, and the unfortunate poor lead horrifying lives in the city's deadliest slum, Whitechapel.